Digital Marketing

Planning a Podcast to Support Your Business

Choose a narrow theme, prepare simple episode outlines, and publish regularly so new listeners know what to expect.

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Start With a Theme Narrow Enough to Own

Most small business podcasts fail for the same reason: they are about everything. "A podcast about running a business" gives a new listener nothing to hold on to. There is no shortage of general business chat, and no reason for anyone to choose yours over the thousands of others.

Narrow it instead. Not "marketing", but "marketing for independent coffee shops". Not "freelancing", but "life as a freelance illustrator in the UK". Not "accounting", but "tax and paperwork for sole traders in their first three years".

The narrower the theme, the easier it is for a listener to understand within thirty seconds whether the show is for them, and the easier your own planning becomes. You will never sit staring at a blank page wondering what to talk about, because the subject matter is baked in.

Three questions will usually surface your theme:

  • What do clients ask you on almost every first call?
  • What do you find yourself explaining again and again, to people who should already know?
  • What do you know that your competitors never bother to say out loud?

Write down the answers. The overlap between them is your show.

Decide What Job the Podcast Is Doing

A podcast is not a business strategy on its own. Before you record anything, decide which job it does for you, because that decision shapes everything else.

If the aim is to build trust with people who are thinking about enquiring, episodes should answer the questions those people are quietly worried about. If the aim is to keep existing clients engaged between projects, the tone can be more conversational and the episodes more frequent and shorter. If the aim is simply to have a body of work you can point people towards, then consistency matters far more than production polish.

What it should not be is a vague hope that "having a podcast" will bring in work. Be specific: who is listening, and what should they think or do after an episode? One sentence is enough. Something like: "A wedding photographer listening should finish an episode feeling that I am organised, calm and know what I am doing."

That single sentence will stop you from drifting into episodes that feel fun to make but do nothing for the business.

Pick a Format You Can Sustain Every Fortnight

The most common mistake is committing to a forty-five minute interview show. It sounds impressive and it is almost impossible to keep up with alongside actual client work. Twenty to twenty-five minutes is plenty, and consistency of format matters more than variety — listeners like knowing the shape of an episode before they press play.

Four formats that hold up over time:

  • The solo explainer. Ten to fifteen minutes, one idea, done. Easiest to produce and easiest to plan.
  • The walk-through. Talk through a real job from start to finish — a website build, a tax return, a photo shoot — including what went wrong.
  • The two-question interview. One guest, two prepared questions, twenty minutes. Far less editing than a sprawling chat.
  • The monthly round-up. Three things you noticed in your industry this month and what they mean for clients.

On kit: a USB microphone, a quiet room with soft furnishings, headphones and a free audio editor will get you further than expensive equipment ever will. Listeners forgive a little room echo. They do not forgive a show that stops after six episodes.

Write a Simple Outline, Not a Script

Reading a script aloud sounds exactly like reading a script aloud. What you want is a set of bullet points you can glance at while talking naturally.

A reliable structure for every episode:

  • Opening, twenty to thirty seconds. Say what the episode is about and why it matters. Keep it the same every time.
  • Three points. No more. If you have five, you have two episodes.
  • A worked example. One real client situation, anonymised if needed, that shows the point in practice.
  • A close, thirty seconds. Repeat the same sign-off each week so listeners know the episode has ended and what to do next.

Keep a running list of episode ideas in a notes app or spreadsheet. Capture them the moment they occur to you — usually mid-conversation with a client — and you will always have a backlog to draw on rather than scrambling the night before.

Publish on a Schedule and Batch the Work

Fortnightly is plenty. Monthly is fine. What matters is that it is predictable: same day, same length, same format. A new listener who enjoys one episode should be able to see, at a glance, that there are more coming and roughly when.

To make that realistic, batch your recording. Book one afternoon a month and record two or three episodes back to back while your setup is already out and your head is already in it. Editing three episodes in one sitting is far quicker than setting up three separate times.

Before you publish the first episode, have three or four finished and ready. That buffer is what carries you through a busy fortnight when a client deadline lands. Use a podcast hosting service that generates your feed and distributes it to the major directories — you set it up once, and every future episode appears automatically.

Then tell people. Mention it in your email signature, on your invoices, at the end of client calls. A podcast that nobody knows about is just a hobby with extra steps.

Author
Contributor
James Pemberton

Digital Guild shares practical, down-to-earth guidance on practical digital skills and technology for uk small businesses and freelancers for readers across the UK.

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